Nike Shox TL3 Voices of Iraq - A Film Made by the

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Daily Life in Iraq Ranges from Joy and Celebration to Work, Frustration, and War
79 minutes
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Released in 2004 just before the presidential election [link widoczny dla zalogowanych], the Village Voice sounded a cry of skepticism regarding the authenticity of the film Voices of Iraq. Despite those charges, this film gives a broader view of life in Iraq, both during the era of Sadam Hussein and after, than most documentaries possibly could. People of all ages are seen in snapshots of Iraqi life. The film was created by dispensing dozens of digital video cameras to citizens in Iraq; this is their film. Director Martin Kunert shared credit with them for its creation.
Some of the filming is quite good; some is very rough. But the faces of the Iraqis seem real enough. Be aware: there are some historical clips of humans being beaten and of the effects of chemical warfare. All of the beautiful children, the photos of Iraqi scenery, police barracks, mass graves - all are worth the time to watch.
Utilizing music from Euphrates, an Iraqi-Anglo hip-hop band, the film captures daily life in a land under siege. Beautiful young people, grief-struck parents whose children have been killed [link widoczny dla zalogowanych], lovely sculptured lawns, brutal crowded streets, a joyous graduation celebration, and some graphic and disturbing violence from Uday Hussein's own collection are all shown. Whether it is the Kurdish genocide or the millions disappeared by Sadam's administration [link widoczny dla zalogowanych], this film captures the grief and suffering of a nation. The elements of propaganda are rather transparent, but it does not dismiss the humanity of the film. Factory workers, street scenes, and a reenactment of the Kurdish genocide are all seen in this documentary. How accurate the translations are is unknown.
Newspaper headlines are superimposed over much of the filming. Questions are asked about the responsibility for the increased security; this did not seem authentic, not something one Iraqi would chose to discuss on film in this manner. Other questions asked about women's rights; again, this did not seem to be something someone would discuss when filming representative shots of one's own nation. There was also a dearth of the anger, grief and frustration that one witnesses from news reports and from other media regarding the feelings of Iraqis about issues like Abu Ghraib, Guantanamo, and life under occupation of a foreign nation. Despite those shortcomings, the film is still worthwhile to watch, to gain a different perspective on what life has been and continues to be for the people in this devastated land.

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