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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Autor</th> <th class="thCornerR">Wiadomość</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>yxgaxjlywf</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/xeon/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Wysłany: Śro 8:47, 30 Mar 2011<span class="gen"> </span> Temat postu: And the geometric simplicity of the Western school</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">And the geometric simplicity of the Western school of art <br /> <br /> <br />Jane's quest. Then this thought should be given a precise definition. So, minimalism can be said that half of the established practice in the creation, 'half is built on the art criticism £, so naturally people feel, minimalist sense not be much to rely on the performance of elements to make up a large number of narratives. Minimalist sense of the artists are very active, such as Gardner's Are standardized for each cube of stainless steel and abandon the artist's personal narratives r Although the structure of this work should belong to the technical classification of a three-dimensional relief, but Gardner, however, believe this to be mounted on the wall of the three-dimensional work is neither painting nor sculpture, which he called a special object. Monument to the Third World of iron, wood, glass blue primary colors red, yellow, 1921 Tatlin 1917 Rietveld chair wood Guggenheim Museum New York, 1955, Wright created in l963 on the artist Fulai Wei's line break the traditional problem of the simple object itself. Suole Wei constituted by the hand of justice, the impact of de Stijl and Bauhaus,<a href="http://www.ghd-piastre.com" target="_blank" class="postlink">ghd piastre</a>, often black, white, wood or metal to repeat the show as complex operations like mathematical formulas. Such as * A pure geometry of space, form and logic of the form of the application, emphasizing the concept of responsibility the expression of ideas. Therefore, it was also known as Later, Suole Wei to overcome the limitations of minimalism, joined. Wealth of information about semiotics, feminism, and other elements of popular culture, moving away from a wide minimalist sense of the basic definition of the object will be in the form of three-dimensional space plane to create L:, has abandoned the basic principles of minimalism. Kept minimalist artists, druid, the use of color is rare, and this may be the color of his abstract-garde artist was very close results. Truitt add £ colors often work in three-dimensional space to create a sense of color planes, such as the Judging from the title of the work, these two works are invested. Plane of personal emotions, such as red, yellow, black and brought back to the ancient European weapons ten associations. Although minimalist creative artists in general adhere to the same concept, but each artist's creative path and focus are different, very personal work, that there is no uniform style of minimalist sense. Fourth, the conclusion from the beginning by the cubist influence, appeared in Western art and the simple geometry of a tendency has emerged. Supremacy, constructivism, de Stijl and minimalist f justice. The first phase of the first three of which, in the event the order is not strictly linear time, but the first phase of the three schools is the second phase of minimalist Fengyi cornerstone. Contemporary sculptor Richard Sierra (RichardSerra) said: projection. What significance do? On j: l minimalist sense, we seem to derive more inspiration. American art critics as they Hsiao Chu Gelin grid, said: than 'nothing} 『.as a work of art. As to the L {Yi, Yi F form, sent and minimalist style, are not within the meaning of life can see, which can be obtained between the people and the environment suggests a different from traditional harmony. On the other hand, any work left cranial space r many explanations on the basis of who do not have the aesthetic result of the interpretation of l: the difficulties. Language of the artist is just about to tell a geometric and color it with the purification of the phenomenon, there is no attempt to explain individual or implied meaning of geometric blocks. View, A Luo Qikang: Guangxi Institute of Arts Department of Education changes in steel box on the 1967 cable, Levy under the left: Samurai enzyme traditional wood under the 1963 Right: Untitled, wood, rope, Morris O 1963</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/xeon/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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