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PostWysłany: Wto 23:35, 08 Mar 2011    Temat postu: W2433/H.2 298–9

e
proclaimsthepoweroftheIdeaSchopenhauermoveshistheoryof
theartstowardtheconditionofhisotherpathwaytosalvation:the
purethecleartheascetic.
Intragedytheherostrugglesagainstpaindefeatboredom;in
shortagainstwill.Hiseventualsublimetranscendenceoverwill
vitiateswill’sstrangleholdandtheobserverinwitnessingthetragic
hero’sturnawayfromwillthroughitsdenialinhimselfapprehends
forherselfthesideofanIdeabothennoblingandself-denying(W1
253;W2433/H.2
298–9;H.3
495).Schopenhaueradmiresthegreat
GreektragediesaswellasmuchofShakespearefortheirstresson
thetimelessstruggleofindividualsinthefaceoflife’srepeatedchal-
lenges.Bycontrasthedismissesdramathatistoo‘timely’orcon-
cerned(asisthewayofyouth)with‘outward’appearancesinstead
ofwithwillasitisdiscoveredthroughtheIdeas.Asmentionedin
SectionVfashionabledramadependstooheavilyonencodedsigns
whosepotentialforclearinterpretationfadeswiththecontextthat
borethem.
FinallySchopenhauerreturnsdiscussiontomattersofimmediate
apprehensionwithaconsiderationofaberrationsinmusic.Musicre-
quiresnowordstomakeitselfknownandsoSchopenhauerconsid-
ersoperaaninferiorhybridofdramaandmusicwherebothwouldbe
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