 Wysłany: Nie 12:49, 27 Mar 2011 Temat postu: On the rhythmic structure of the stress _1087 |
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| On the rhythmic structure of the stress
Rhythm of the music movement an important basis for stratification and grouping. 4. From the music practice, stress is the synergies between the pace of events to produce an effect. In which the existence of two completely different situations, when the occurrence of stress is consistent with the beat structure, these stress plays a role in strengthening the beat structure of consistency; when the incidence of these stress the structure is inconsistent with the beat, the accent as movement of a dynamic rhythm of the music supplement. 5. Different factors have different types of stress, and these were different types of stress and the degree of rhythm plays a different role. The most important factor is produced by pitch and time value of the stress. Because the pitch and time value is a most essential elements of music. Rhythmic structure of musical art accent 416. On the one hand,timberland shoes, the formation of a stress group; the other hand, stress has formed a group. Stress and the interaction between the two groups and influence each other. Understanding of the relationship between them is to understand the rhythm of movement is an important way. 7. Rhythmic movement in the group is inevitable. Grouped by accent marks and interpretation of the role of groups within and between groups to each other clearly revealed, through the understanding of these relationships, you can grasp the rhythm of the internal law of motion. Note: ① Zhang Wei: ② In fact, the phrasing and phrase length relationship between the often shows a variety of forms, which fully reflect the inherent rhythm of a relationship. The grasp of the relationship between this rhythm is a way to phrase this as a unit to describe the formation of the group states. Among them, the formation of such a stress of its span between measurements often reflect the phrase's frequency and intensity of the state, and ultimately reflect the rhythm of relationships between a number of phrases. This is not to explore this issue in depth. Here are just grouped according to stress may reflect the state of the theory that ideas are associated. ③ change the pitch accent is also seen as a form, which is the view of Leicester. He was in his monograph, point of view. He believes that To. (You can see the two page analysis of the book) I believe that this view is too absolute, and if so, we can not stress the relative clarity of the classification and observation. To the author's point of view, the reason why the formation of the stress here is that changes in harmony and in line with the changes in texture and tone, while the beat itself is here where the accent. So here is the rhythmic pattern of the group was stressed, show very clearly. ④ For dissonant harmony to rhythm accent this problem, W · Berry in his dissonant chord melody voice of the direction, if it is down, then the rhythm produced by the effect of stress is obvious, if it is up the line, the situation is exactly the opposite. The example shown in the book p. 341. ⑤ This article will not discuss this issue in depth. However, a comprehensive study of the rhythm, the rhythm of the problem may be concerned about the tone is extremely significant, especially in the harmonic function system after the collapse of music, sound is becoming increasingly apparent in music is an important element of the organization also works on the composition of the music has an important role. ⑥ JoelLester, ⑦ Ibid, P. 41. A ⑧ In fact, the structure of non-beat music, the rhythm of the movement is not a The most objective explanation is that in these works, the lack of the kind of traditional music, the beat of a unified structure, different composers because of their aesthetic taste or personality styles vary, the organization may have different rhythm method - Obviously, the rhythm of Messiaen and Carter is not the same organization, while Carter and Babbitt also differ from each other. In addition, even in the same composer's works may be different with different organizing principle of rhythm. However, for every work or a certain composer, its rhythmic organization is orderly. |
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