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Is always coincident with, and refined, subtle and deep. Between these two. Wing stack approach often adopted, the text also has echoes of the sentence and more. Xiang Fu Xiang Jun and people singing in the same poem, share a love forged in the blame because of worry, the gods were not impressed with our ability to share it with us ordinary people of joy brought by love angry dirge. People to love life in all the emotions generated by the object of the body to God, so to play down the gap between man and God,[link widoczny dla zalogowanych], or even smooth. We can feel the strong emotional words, feel the ritual enclosure in the survival of the parcel and emotional activities. In the carnival of this moment, determine the rules and order of ordinary life in those laws, prohibitions and restrictions, some time in the carnival was canceled. Therefore, in the carnival world of existing authority and truth become relative. Sacred with the vulgar, the noble and humble, and great with small and so close to them or blend the boundaries between them is broken, the gap being filled. As Bakhtin said: When the carnival to the level of the original order of society, after ablation, demonstrated in front of the general public is another to live. the gap between ideal and reality is broken, giving people in the pursuit of the ideal in the real hope. song Chu consciousness is clear to the freedom of the eternity of life and enthusiastic pursuit and fantasy. This fantasy and the pursuit of endless, runs through the to the Lord God - East Huangtai together. ancestors were immersed in a variety of songs and scenes among the hustle and bustle: 222 [1] Sun is the tree. Western art [M]. Shanghai Fine Arts Publishing House,[link widoczny dla zalogowanych], September 2001 edition,[link widoczny dla zalogowanych], P. 11 [2] Wei, River. my art history [M]. Guangxi Normal University Press, 2004. edition. P.365 [3J by the king. the world of contemporary art history [M]. China Youth Press, September 2002 Edition, P.123 [4 ~ i4. Ela Sen. Western modern art history eighties [M3. Beijing Broadcasting Institute Press, January 1992 edition, pl17 [5 ~ i4. Ela Sen. eighty-Western modern art history s [M3. Beijing Broadcasting Institute Press, January 1992 edition, Pl19 [Editor: Literature and Philosophy],[link widoczny dla zalogowanych], or can they do everything to please the gods. dedicated to the Holy Office in the cloud that the king of To meet the sun god Dongjun, playing the drums Joseph Ming, played the blow yu chi. In addition to pentameter fan sink ensemble, there should be law section of the karaoke and dance together. the so-called Xi Dan viewers forget to go home. Chu Portrait of the sun is eternal life, infinite longing and yearning. The Shen Yun's lies in the scenes to meet the large Siming, especially evident. because the big Siming Yu who is the direct orders of the people and death. They expression of affection, while also respectful piety among the people of Chu clear that they look forward to life eternal. Zhaoying in the carnival of color,[link widoczny dla zalogowanych], the ancestors and their vitality was hot for real good, inner beauty desire to have contracted a layer of confusion but touching Halo. regardless of do not have the open. ◇ comments [-11 Bakhtin. poetics. More articles related to topics：

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