Painting Language Interpretation (Part II ) _10281

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Painting Language Interpretation (Part II)

Cultural context. Xiamen Art and Design to the overall cultural context Shuo-l Health. That the field of art and design from the contemporary cultural context and aesthetic of a wide range of variation hope [Key words art and design; cultural context Qi to the main business; post-modernism [IN Fu】 J50 [Document code】 A】【Article ID 1003-3653 (2005I - 0056-03 zoned Shuting [Received Time】 2005 ~ 01-3l (Polytechnic Institute of Light Industry of Wenzhou, Zhejiang, Wenzhou 325035 +) [Author】 LIU Shu mussels, Wenzhou Polytechnic Institute of Light Industry run up as a lecturer in art and design to create aesthetic and cultural activities, no doubt with the whole community. Jung Ho, economic and technological culture, including fluorescence associated dynamic creation of any art design can not leave the design of which were the male, political, technological and cultural Xin by peers and given the context of boas to some extent, the Department of Art and Design is specific to any historical or cultural context of reality under the influence of the selective creation: Art and Design in Cultural Context . Town to Park from the 2O century modern functionalist design and design of post-modernist diversity is seen very clearly set tt ft functionalism in the early 20th century reason for Taiwan to become the dominant narrative style is in the process of modernity society. political clearance, economic and technological culture, closely related to the whole territory of a memorial, under the influence of modern functionalism functionalism that modern art and design, design aesthetic logic of rationalism, Functionalism Parkinson modern rational design process for the material world and cultural lit circles vinegar offered establish order. Xinjiang over the world are ft juice can give rise to a rich world of reason and order, it is hoped that through this beautiful design and rational Modern functional design process to meet the material needs and cultural needs. hope in the modern industry and technology in the process of breaking the classical aesthetic and cultural logic. really direct a new type of culture and aesthetics of the architectural historian L1 Naiwo Luo in the History of Western Architecture, design should be a kind of form and content of the emotional richness of things. is a kind of aesthetic and cultural things that can be explanatory, rather than the end of modern functionalism and dig the pure form of simple if just from the logic of the traditional art and aesthetics point of view. design as an aesthetic innovation with activities. Modern design direct recovery in the traditional design aesthetic Lou on the basis of type and logical further extension and development. should be the basis of traditional aesthetics and artistic change bottles richer and more J】 Ⅱ moment and explore the development process of modern design but on the contrary, it is not in the traditional logic of blackflies on art and aesthetics of the place when the forward, but the subversion and destruction of the classical aesthetic principles of aesthetics and art and the design logic and content of traditional emotional richness of the opposite. It is a structure to the pure and simple form of the corner of vapor H aesthetic look. are from the modern functionalist architecture and product design to interrupt Ling Yi of the fly is kind of poor. One of the clear implication is that the single-book sensibility, however. E but it will become the sauce for the people by a generally accepted and seen as a beautiful thing. This is not just layer by modern designer Chong Zhi and personal aesthetic taste of the decision. Figure 2-23 Kandinsky / learning Saar / interwoven to form the 190 paintings bustling street. outline a clear light and dark strokes of varying cross building can become complicated group. all of them. is a kind of imitation. is a symbol and indication. ie. When alone,[link widoczny dla zalogowanych], local look at them, what they are not only linked to other things only when clearly they are identity such as a piece of green paint on the Li Bu, it is difficult it is, but if the piece of green painted on a few vertical tree trunks, leaves similar point a few brush strokes. then it is clear to suggest to us the piece is a piece of green grass instead of carpet. In fact, most of the paintings are based on this suggestion and association rather than clearly defined. The role of strokes is not only a physical as a means of expression, equally important, it can express feelings and emotions. brushwork of traditional Chinese painter called always focussed on theory of emotion and emotional expression. (continued)

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